(Dis)embodying myths in ancien regime opera

multidisciplinary perspectives

Prijs € 29,50

Niet beschikbaar

Ook beschikbaar als:

Paperback | Maart 2012 |

Beoordeel dit boek als eerste!

Beschrijving

The role of mythology in ancien régime opera Throughout the Ancien Régime, mythology played a vital role in opera, defining such epoch-making works as Claudio Monteverdi's La favola d'Orfeo (1607) and Christoph Gluck's Iphigénie en Tauride (1779). The operatic presence of the Greco-Roman gods and heroes was anything but unambiguous or unproblematic, however. (Dis)embodying Myths in Ancien Régime Opera highlights myth's chameleonic life in the Italian dramma per and French tragédie en musique of the seventeenth and eighteenth centuries. Written by eminent scholars in the fields of music, literature, theatre, and cultural studies, the six essays in this book address important questions. Through what ideological lenses did the Ancien Régime perceive an ancient legacy that was fundamentally pagan and fictitious, as opposed to Christian and rationalistic? What dramaturgies did librettists and composers devise to adapt mythical topics to altering philosophical and esthetic doctrines? Were the ancients' precepts obeyed or precisely overridden by the age of 'classicism'? And how could myths be made to fit changing modes of spectatorship? Enlightening and wide-ranging on an essentially multidisciplinary development in European culture, (Dis)embodying Myths in Ancien Régime Opera will appeal to all music, literature, and art lovers seeking to deepen their knowledge of an increasingly popular repertoire.  

Volledige beschrijving

Specificaties

Uitgever
Leuven University Press
ISBN
9789058679000
Bindwijze
Paperback
Publicatiedatum
Maart 2012
Categorie
Wetenschappelijk
Taal
Engelstalig
Aantal Pagina's
190

Beschrijving

The role of mythology in ancien régime opera

Throughout the Ancien Régime, mythology played a vital role in opera, defining such epoch-making works as Claudio Monteverdi's La favola d'Orfeo (1607) and Christoph Gluck's Iphigénie en Tauride (1779). The operatic presence of the Greco-Roman gods and heroes was anything but unambiguous or unproblematic, however. (Dis)embodying Myths in Ancien Régime Opera highlights myth's chameleonic life in the Italian dramma per and French tragédie en musique of the seventeenth and eighteenth centuries.

Written by eminent scholars in the fields of music, literature, theatre, and cultural studies, the six essays in this book address important questions. Through what ideological lenses did the Ancien Régime perceive an ancient legacy that was fundamentally pagan and fictitious, as opposed to Christian and rationalistic? What dramaturgies did librettists and composers devise to adapt mythical topics to altering philosophical and esthetic doctrines? Were the ancients' precepts obeyed or precisely overridden by the age of 'classicism'? And how could myths be made to fit changing modes of spectatorship?

Enlightening and wide-ranging on an essentially multidisciplinary development in European culture, (Dis)embodying Myths in Ancien Régime Opera will appeal to all music, literature, and art lovers seeking to deepen their knowledge of an increasingly popular repertoire.
 

Schrijf een recensie

Velden met een * zijn verplicht

Specificaties

Uitgever
Leuven University Press
ISBN
9789058679000
Bindwijze
Paperback
Publicatiedatum
Maart 2012
Categorie
Wetenschappelijk
Taal
Engelstalig
Aantal Pagina's
190

Bijzonder

  • Bach

    John Eliot Gardiner

    Prijs € 49,90